Christine Keeler’s ‘Secrets and Lies’ Redux
“I never met Christine Keeler,” Seymour Platt writes in his foreword to the latest edition of her memoirs, Secrets and Lies: The Trials of Christine Keeler. (This is a paperback reissue of her 2012...
View Article‘Dear Christine’ Opens in Swansea
Dear Christine: A Tribute to Christine Keeler is now on display at Elysium Gallery in Swansea, open from Tuesdays to Sundays at 12pm until November 9, with a series of associated events. (Shown above...
View ArticleSwansea Celebrates ‘Dear Christine’ in Art and Poetry
Dear Christine: A Tribute to Christine Keeler continues its run at the Elysium Gallery in Swansea with an evening of poetry this Saturday, as curator Fionn Wilson told Wales Art Review recently. An...
View Article2019: A Year in Books
First published in 2015 as Zuleikha Opens Her Eyes and now available in English, Zuleikha tells the story of a Tatar woman whose brutish husband and vindictive mother-in-law treat her as a slave. This...
View ArticleMerry Christmas To All My Readers
Just a little note from me to wish you all a merry Christmas. If you thought you’d seen off my lists for another year, fasten your seatbelts as over the next few days, I’ll be looking back at the end...
View Article‘Dear Christine’ Steps Out in London
Dear Christine: A Tribute to Christine Keeler has just begun the final leg of its tour at Arthouse1 in Bermondsey, London. The opening night was attended by, among others, Christine’s son Seymour...
View ArticleReframing the Keeler Affair
My interview with Fionn Wilson – artist and curator of Dear Christine: A Tribute to Christine Keeler, an exhibition featuring works by twenty women artists now on display at London’s Arthouse1 until...
View Article‘Dear Christine’ Symposium in London
Dear Christine: A Tribute to Christine Keeler, on display until February 29 at London’s ARTHOUSE1 (open from 3-7 pm on Thursdays to Sundays) is accompanied by a symposium featuring artists and...
View ArticleGoodbye (For Now) to ‘Dear Christine’
Due to unforeseen circumstances, I regret to tell you that ARTHOUSE1 is currently closed and the Dear Christine exhibition – plus a symposium scheduled for this Saturday – has been postponed until...
View Article‘Keeler, Profumo, Ward and Me’
“The story that defined a decade of great change in Great Britain was my big break in Fleet Street, and I covered and loved every moment of it, from the ridiculous to the tragic …” Tom Mangold,...
View Article‘Dear Christine’ Symposium Rescheduled
The Dear Christine symposium has been rescheduled for Saturday, March 28, at Deptford Town Hall, London from 12-6 pm – more details here. (Shown above is ‘Casting the First Stone’ by Marguerite...
View ArticleDear Christine: A Tribute in Art, Poetry and Prose
Dear Christine: A Tribute to Christine Keeler first took root in 2014, when Fionn Wilson painted a set of four portraits in black and white, based on 1960s photographs by Lewis Morley and others. Like...
View ArticleSal Jones Gives Christine (and Marilyn) the Last Laugh
London-based artist Sal Jones, whose paintings were featured in the recent exhibition, Dear Christine: A Tribute to Christine Keeler, has painted another portrait, ‘The Last Laugh,’ based on a candid...
View ArticleViolets, Flamingos and Heroes in Autumn
On New Year’s Eve, I wrote here of my fears over where the world is heading. Little did I know that only a few weeks later we would be facing up to a pandemic. 2020 has been a strange, lonesome year...
View Article‘Scandal’ Revisited as New Exhibition Opens in Leicester
Scandal, the 1989 movie dramatising the Profumo Affair, is showing at the Phoenix Leicester at 7:30 pm this Friday, March 3rd, introduced by producer Stephen Woolley with an onstage Q&A. Whatever...
View ArticleScandal ’63 Revisited: Symposium in Leicester
A symposium for Scandal ’63 Revisited will be held at Leicester Gallery on Friday, April 14th, ahead of the exhibition’s last day on Saturday. Tickets are free but must be reserved in advance here....
View ArticleSixty Years Later: Scandal ’63 Revisited
“In Britain at the start of the 1960s, Victorian values are still mainstream. There is a rich ruling class who are better than everybody else, women are mostly thought of as the property of the men...
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